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The Audio Masterclass Music Production and Sound Engineering Course
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Module 12 Marketing Your Music and Recording Services
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The Charlotte Roel Microphone Test at Abbey Road Studio 3
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charlotte-roel-960.mp4 - 0 B
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Charlotte-Roel-backing-track.R.wav - 0 B
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Charlotte-Roel-Golden-Age-R1A.wav - 0 B
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Charlotte-Roel-Neumann-U47.wav - 0 B
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Charlotte-Roel-Neumann-U47fet.wav - 0 B
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Charlotte-Roel-Neumann-M147.wav - 0 B
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Charlotte-Roel-AKG-C12.wav - 0 B
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Charlotte-Roel-Telefunken-M-12F.wav - 0 B
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Charlotte-Roel-Neumann-U87.wav - 0 B
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Charlotte-Roel-Shure-SM57.wav - 0 B
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Charlotte-Roel-CAD-M9.wav - 0 B
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Charlotte-Roel-backing-track.L.wav - 0 B
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charlotte-roel-notes.pdf - 0 B
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PDF
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Module 12 Practical Assignment Notes.pdf - 0 B
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Module 12 - Marketing Your Music and Recording Services.pdf - 0 B
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Module 12 Model Answers.pdf - 0 B
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Module 12 Practical Assignment Project.pdf - 0 B
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Module 12 Audio Examples.pdf - 0 B
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Module 12 Introduction.pdf - 0 B
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AUDIO
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examples
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white-noise-120.m4a - 0 B
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music-minus-27.m4a - 0 B
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white-noise-4.m4a - 0 B
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music-minus-28.m4a - 0 B
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music-minus-29.m4a - 0 B
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music-25.m4a - 0 B
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music-31.m4a - 0 B
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music-27.m4a - 0 B
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music-26.m4a - 0 B
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white-noise-3.m4a - 0 B
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white-noise-11.m4a - 0 B
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white-noise-2.m4a - 0 B
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white-noise-9.m4a - 0 B
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sine-10050-21.m4a - 0 B
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sine-400-ip-23.m4a - 0 B
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sine-10000-20.m4a - 0 B
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sine-400-oop-22.m4a - 0 B
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sine-400-18.m4a - 0 B
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sine-400-14.m4a - 0 B
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sine-401.19.m4a - 0 B
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sine-400-17.m4a - 0 B
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sine-400-15.m4a - 0 B
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sine-400-16.m4a - 0 B
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sine-400-13.m4a - 0 B
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sine-400-24.m4a - 0 B
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music-minus-30.m4a - 0 B
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dvd-cover-12.pdf - 0 B
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Module 01 Analog and Digital Audio
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The Steve Lyon Record Producer Interview Video
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the-steve-lyon-record-producer-interview-video-960.mp4 - 0 B
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AUDIO
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examples
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17kHz-20dB.wav - 0 B
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18kHz-20dB.wav - 0 B
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19kHz-20dB.wav - 0 B
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20kHz-20dB.wav - 0 B
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drums-digital.m4a - 0 B
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drums-tape-level-high.m4a - 0 B
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drums-tape-level-low.m4a - 0 B
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music-low-lf.m4a - 0 B
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music-flat.m4a - 0 B
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music-clipped-comparison 6dB.m4a - 0 B
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music-clipped-comparison 5dB.m4a - 0 B
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music-low-hf.m4a - 0 B
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music-clipped-comparison 4dB.m4a - 0 B
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music-clipped-comparison 3dB.m4a - 0 B
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music-clipped-comparison 2dB.m4a - 0 B
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music-clipped-comparison 1dB.m4a - 0 B
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music-clipped-comparison 0dB.m4a - 0 B
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music-clipped-comparison-phase 0dB.m4a - 0 B
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music-clipped-comparison-phase 1dB.m4a - 0 B
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music-clipped-comparison-phase 2dB.m4a - 0 B
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music-clipped-comparison-phase 3dB.m4a - 0 B
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music-clipped-comparison-phase 4dB.m4a - 0 B
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music-1-bit.m4a - 0 B
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music-2-bit.m4a - 0 B
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music-clipped-comparison-phase 5dB.m4a - 0 B
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music-stereo-in-phase.m4a - 0 B
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music-stereo-out-of-phase.m4a - 0 B
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music-eq-hf-comparison.m4a - 0 B
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music-clipped-comparison-phase 6dB.m4a - 0 B
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music-4-bit.m4a - 0 B
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music-clipped-comparison-alternating.m4a - 0 B
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music-clipped 6dB.m4a - 0 B
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music-clipped 6dB-corrected.m4a - 0 B
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music-clipped 5dB-corrected.m4a - 0 B
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music-clipped 5dB.m4a - 0 B
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music-clipped 3dB-corrected.m4a - 0 B
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music-unclipped-corrected.m4a - 0 B
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music-clipped 2dB-corrected.m4a - 0 B
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music-clipped 1dB-corrected.m4a - 0 B
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music-unclipped.m4a - 0 B
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music-clipped 1dB.m4a - 0 B
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music-clipped 3dB.m4a - 0 B
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music-clipped 2dB.m4a - 0 B
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music-clipped 4dB-corrected.m4a - 0 B
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music-clipped 4dB.m4a - 0 B
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noise-white-20dB.m4a - 0 B
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440Hz-tape 21dB.m4a - 0 B
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music-8-bit.m4a - 0 B
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18kHz-20dB.m4a - 0 B
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20kHz-20dB.m4a - 0 B
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19kHz-20dB.m4a - 0 B
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music-12-bit.m4a - 0 B
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music-16-bit.m4a - 0 B
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17kHz-20dB.m4a - 0 B
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noise-pink-20dB.m4a - 0 B
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440Hz-tape 18dB.m4a - 0 B
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440Hz-tape 3dB.m4a - 0 B
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440Hz-tape-0VU.m4a - 0 B
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music-mono-out-of-phase.m4a - 0 B
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music-mono-in-phase.m4a - 0 B
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440Hz-20dB-in-phase.m4a - 0 B
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440Hz-20dB-out-of-phase.m4a - 0 B
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music-eq-lf-comparison.m4a - 0 B
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music-stereo-out-of-phase-summed.m4a - 0 B
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music-mono-out-of-phase-summed.m4a - 0 B
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440Hz-20dB-square.m4a - 0 B
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clipping 6dB-0dB.m4a - 0 B
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clipping 5dB-0dB.m4a - 0 B
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clipping 6dB-20dB.m4a - 0 B
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clipping 5dB-20dB.m4a - 0 B
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clipping 4dB-20dB.m4a - 0 B
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clipping 3dB-20dB.m4a - 0 B
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clipping 2dB-0dB.m4a - 0 B
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clipping 1dB-0dB.m4a - 0 B
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clipping 2dB-20dB.m4a - 0 B
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clipping 1dB-20dB.m4a - 0 B
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10kHz-20dB-square.m4a - 0 B
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11kHz-20dB.m4a - 0 B
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13kHz-20dB.m4a - 0 B
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10kHz-20dB.m4a - 0 B
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16kHz-20dB.m4a - 0 B
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clipping 0dB-0dB.m4a - 0 B
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1kHz-20dB.m4a - 0 B
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440Hz-20dB-sine.m4a - 0 B
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clipping 0dB-20dB.m4a - 0 B
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100Hz-20dB.m4a - 0 B
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20Hz-20dB.m4a - 0 B
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assignment
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complete.m4a - 0 B
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noise-edited.m4a - 0 B
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ambience-high.m4a - 0 B
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mic-sound-thickened.m4a - 0 B
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ambience-low.m4a - 0 B
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noise-quiet.m4a - 0 B
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noise-loud.m4a - 0 B
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popping-none.m4a - 0 B
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sibilance-none.m4a - 0 B
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fade-none.m4a - 0 B
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buzz.m4a - 0 B
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fade-slack.m4a - 0 B
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popping.m4a - 0 B
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popping-slight.m4a - 0 B
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sibilance-2.m4a - 0 B
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fade-right.m4a - 0 B
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blasting-slight.m4a - 0 B
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topping-slack.m4a - 0 B
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fade-too-tight.m4a - 0 B
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topping-tight.m4a - 0 B
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sibilance.m4a - 0 B
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PDF
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Module 01 - Analog and Digital Audio.pdf - 0 B
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Module 01 Practical Assignment Notes.pdf - 0 B
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Module 01 Model Answers.pdf - 0 B
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Module 01 Audio Examples.pdf - 0 B
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Module 01 Practical Assignment Project.pdf - 0 B
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Module 01 Introduction.pdf - 0 B
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dvd-cover-1.pdf - 0 B
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Module 02 Microphones
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The Chilli Gold Microphone Test at Abbey Road Studio 3
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chilli-gold-960.mp4 - 0 B
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Chilli-Gold-Bruel-and-Kjaer-4011.wav - 0 B
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Chilli-Gold-Neumann-U87Ai.wav - 0 B
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Chilli-Gold-backing-track.L.wav - 0 B
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Chilli-Gold-backing-track.R.wav - 0 B
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Chilli-Gold-Neumann-U87.wav - 0 B
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Chilli-Gold-Neumann-U47.wav - 0 B
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Chilli-Gold-Neumann-U47-(other).wav - 0 B
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Chilli-Gold-AKG-C12-(other).wav - 0 B
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Chilli-Gold-AKG-C12VR.wav - 0 B
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Chilli-Gold-AKG-C12.wav - 0 B
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Chilli-Gold-Neumann-U47fet.wav - 0 B
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chilli-gold-notes.pdf - 0 B
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PDF
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Module 02 - Microphones.pdf - 0 B
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Module 02 Audio Examples.pdf - 0 B
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The Anna Neale Mic Preamp Test.pdf - 0 B
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Module 02 Practical Assignment Notes.pdf - 0 B
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Module 02 Model Answers.pdf - 0 B
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Module 02 Practical Assignment Project.pdf - 0 B
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Module 02 Introduction.pdf - 0 B
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AUDIO
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examples
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test-1-Neumann-U87Ai.m4a - 0 B
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test-1-B-and-K-4011.m4a - 0 B
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test-7-sE-4400a.m4a - 0 B
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test-7-Violet-Globe.m4a - 0 B
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test-6-AKG-C12.m4a - 0 B
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test-3-Violet-Flamingo.m4a - 0 B
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test-3-AEA-A440.m4a - 0 B
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test-6-RCA-BX44.m4a - 0 B
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test-4-sE-Gemini.m4a - 0 B
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test-4-Neumann-U47.m4a - 0 B
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test-4-Rode-NT1a.m4a - 0 B
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test-5-Rode-NT1a.m4a - 0 B
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test-5-STC-4038.m4a - 0 B
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test-2-Shure-SM57.m4a - 0 B
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test-2-Neumann-U47.m4a - 0 B
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singing-female-shure-sm58.m4a - 0 B
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mod-singing-sm57-to-u87.m4a - 0 B
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singing-female-neumann-m147.m4a - 0 B
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mod-singing-m147-to-u87.m4a - 0 B
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mod-singing-m147-to-sm57.m4a - 0 B
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singing-female-neumann-u87.m4a - 0 B
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mod-singing-sm57-to-u47.m4a - 0 B
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mod-singing-u87-to-u47.m4a - 0 B
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mod-singing-u87-to-sm57.m4a - 0 B
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speech-akg-c1000s-end-address.m4a - 0 B
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speech-akg-c1000s-side-address.m4a - 0 B
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mod-u87-c-to-nt2-c.m4a - 0 B
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speech-neumann-u87-cardioid.m4a - 0 B
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mod-u87-c-to-nt2-o.m4a - 0 B
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mod-u87-c-to-sm57.m4a - 0 B
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mod-u87-c-to-md421.m4a - 0 B
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mod-u87-c-to-sm58.m4a - 0 B
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mod-u87-cardioid-to-d112.m4a - 0 B
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mod-u87-cardioid-to-c1000s.m4a - 0 B
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speech-neumann-u87-figure-of-eight.m4a - 0 B
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speech-sennheiser-md421-end-address.m4a - 0 B
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speech-shure-sm57.m4a - 0 B
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mod-sm57-to-nt2-c.m4a - 0 B
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mod-sm57-to-d112.m4a - 0 B
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mod-sm57-to-c1000s.m4a - 0 B
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mod-sm57-to-md421.m4a - 0 B
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mod-sm57-to-sm58.m4a - 0 B
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mod-sm57-to-u87-c.m4a - 0 B
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mod-sm57-to-nt2-o.m4a - 0 B
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speech-rode-nt2-cardioid.m4a - 0 B
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speech-shure-sm58.m4a - 0 B
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speech-rode-nt2-omnidirectional.m4a - 0 B
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speech-sennheiser-md421-side-address.m4a - 0 B
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speech-neumann-u87-omnidirectional.m4a - 0 B
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speech-akg-d112.m4a - 0 B
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assignment
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drums-d112-cymbal.m4a - 0 B
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drums-c451-cymbal.m4a - 0 B
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drums-c451-tom-close.m4a - 0 B
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drums-d112-tom-close.m4a - 0 B
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drums-d112-kick.m4a - 0 B
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drums-c451-kick.m4a - 0 B
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drums-c451-tom-distant.m4a - 0 B
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drums-d112-tom-distant.m4a - 0 B
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drums-c451-snare.m4a - 0 B
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drums-d112-snare.m4a - 0 B
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dvd-cover-2.pdf - 0 B
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Module 11 Mastering
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The Anna Neale Microphone Preamplifier Test at Abbey Road Studio 3
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anna-neale-44.zip - 0 B
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anna-neale-960.mp4 - 0 B
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anna-neale-notes.pdf - 0 B
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AUDIO
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assignment
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mix.m4a - 0 B
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multiband-low.m4a - 0 B
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multiband-mid.m4a - 0 B
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multiband-low-compressed.m4a - 0 B
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multiband-compression-none.m4a - 0 B
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multiband-high-compressed.m4a - 0 B
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multiband-high.m4a - 0 B
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multiband-mid-compressed.m4a - 0 B
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multiband-compression.m4a - 0 B
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examples
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eq-comp-limit-clip-6-eq.m4a - 0 B
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eq-compress-limit-clip-6.m4a - 0 B
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eq-compress-limit-clip-3.m4a - 0 B
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eq-compress-limit.m4a - 0 B
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eq-compress.m4a - 0 B
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softclip.m4a - 0 B
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multiband.m4a - 0 B
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normalized.m4a - 0 B
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multiband-corrected.m4a - 0 B
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eq.m4a - 0 B
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multiband-high.m4a - 0 B
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unmastered.m4a - 0 B
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multiband-high-mid.m4a - 0 B
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multiband-low.m4a - 0 B
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multiband-low-mid.m4a - 0 B
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maxim-subtract.m4a - 0 B
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maxim.m4a - 0 B
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PDF
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Module 11 - Mastering.pdf - 0 B
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Module 11 Practical Assignment Notes.pdf - 0 B
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Module 11 Practical Assignment Project.pdf - 0 B
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Module 11 Model Answers.pdf - 0 B
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Module 11 Audio Examples.pdf - 0 B
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multiband-compressor-low.gif - 0 B
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multiband-compressor-mid.gif - 0 B
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multiband-compressor-high.gif - 0 B
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Module 11 Introduction.pdf - 0 B
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dvd-cover-11.pdf - 0 B
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Module 04 Equalization
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Focusrite Liquid 4PRE All Emulations Tested
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harmonics-15-focusrite-liquid-4pre-960.mp4 - 0 B
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harmonics-0-focusrite-liquid-4pre-960.mp4 - 0 B
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4pre-harmonics-15-aac
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Universal Audio 610 Harmonics.m4a - 0 B
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Groove Tubes Vipre Harmonics.m4a - 0 B
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Helios Harmonics.m4a - 0 B
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Focusrite Red 1 Harmonics.m4a - 0 B
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TL Audio PA-1 Harmonics.m4a - 0 B
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Flat Clean Harmonics.m4a - 0 B
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Avalon AD 2022 alt Harmonics.m4a - 0 B
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Neve 1081 alt Harmonics.m4a - 0 B
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Tubetech MEC 1A Harmonics.m4a - 0 B
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SSL SL4000G Harmonics.m4a - 0 B
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Cadac G Series 268E Harmonics.m4a - 0 B
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Millennia HV-3D Harmonics.m4a - 0 B
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Neve VR Harmonics.m4a - 0 B
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Sounds Incorporated Telefunken V72 Harmonics.m4a - 0 B
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Neve 1081 Harmonics.m4a - 0 B
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Crane Song Flamingo Harmonics.m4a - 0 B
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dbx 786 alt Harmonics.m4a - 0 B
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API 3124 Hot Harmonics.m4a - 0 B
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Focusrite ISA 110 Harmonics.m4a - 0 B
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Avalon VT-737SP Harmonics.m4a - 0 B
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Focusrite Green Harmonics.m4a - 0 B
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Neve 1073 Harmonics.m4a - 0 B
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Millennia STT-1 Harmonics.m4a - 0 B
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Millennia STT-1 alt Harmonics.m4a - 0 B
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Aphex 1100 Harmonics.m4a - 0 B
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API 3124 Harmonics.m4a - 0 B
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DW Fearn VT-2 Harmonics.m4a - 0 B
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Studer D19 Harmonics.m4a - 0 B
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Drawmer 1960 Harmonics.m4a - 0 B
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dbx 786 Harmonics.m4a - 0 B
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Avalon AD 2022 Harmonics.m4a - 0 B
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Neve 33114 Harmonics.m4a - 0 B
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Manley Slam Harmonics.m4a - 0 B
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Telefunken V76-80 Harmonics.m4a - 0 B
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Pultec MB-1 Harmonics.m4a - 0 B
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Telefunken V72 Harmonics.m4a - 0 B
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Trident MTA A Series Harmonics.m4a - 0 B
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Groove Tubes Vipre alt Harmonics.m4a - 0 B
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Amek Pure Path Harmonics.m4a - 0 B
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Neve 1073 alt Harmonics.m4a - 0 B
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Universal Audio 610 alt Harmonics.m4a - 0 B
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4pre-harmonics-0-aac
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Flat clean.m4a - 0 B
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Focusrite Red 1.m4a - 0 B
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Neve 1081.m4a - 0 B
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Tubetech MEC 1A.m4a - 0 B
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Aphex 1100.m4a - 0 B
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Avalon AD 2022.m4a - 0 B
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Neve 1073.m4a - 0 B
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SSL SL4000G.m4a - 0 B
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Avalon AD 2022 alt.m4a - 0 B
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Neve 1081 alt.m4a - 0 B
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Helios.m4a - 0 B
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Crane Song Flamingo.m4a - 0 B
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Millennia STT-1 alt.m4a - 0 B
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Sounds Incorporated Telefunken V72.m4a - 0 B
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TL Audio PA-1.m4a - 0 B
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Focusrite Green.m4a - 0 B
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dbx 786.m4a - 0 B
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Drawmer 1960.m4a - 0 B
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Pultec MB-1.m4a - 0 B
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Millennia STT-1.m4a - 0 B
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API 3124 Hot.m4a - 0 B
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DW Fearn VT-2.m4a - 0 B
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Studer D19.m4a - 0 B
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Groove Tubes Vipre alt.m4a - 0 B
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Groove Tubes Vipre.m4a - 0 B
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Neve 33114.m4a - 0 B
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Telefunken V72.m4a - 0 B
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Telefunken V76-80.m4a - 0 B
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Focusrite ISA 110.m4a - 0 B
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Millennia HV-3D.m4a - 0 B
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Cadac G-Series 268E.m4a - 0 B
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Neve VR.m4a - 0 B
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Universal Audio M610.m4a - 0 B
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Trident MTA A Series.m4a - 0 B
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dbx 786 alt.m4a - 0 B
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Neve 1073 alt.m4a - 0 B
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API 3124.m4a - 0 B
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Avalon VT-737SP.m4a - 0 B
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Manley Slam.m4a - 0 B
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Amek Pure Path.m4a - 0 B
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Universal Audio M610 alt.m4a - 0 B
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liquid-4-pre-emulations.pdf - 0 B
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notes.pdf - 0 B
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AUDIO
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assignment
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eq-5.m4a - 0 B
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filter-2.m4a - 0 B
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eq-6.m4a - 0 B
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filter-1.m4a - 0 B
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eq-4.m4a - 0 B
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eq-3.m4a - 0 B
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flat.m4a - 0 B
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eq-1.m4a - 0 B
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eq-2.m4a - 0 B
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close.m4a - 0 B
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closer.m4a - 0 B
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examples
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27-mix-eq.m4a - 0 B
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26-mix-flat.m4a - 0 B
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eq.m4a - 0 B
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filter.m4a - 0 B
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10-acoustic-guitar-more-bass.m4a - 0 B
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9-acoustic-guitar-resonance-corrected.m4a - 0 B
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8-acoustic-guitar-resonance-emphasized.m4a - 0 B
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7-acoustic-guitar-flat.m4a - 0 B
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12-electric-guitar-piercing-emphasized.m4a - 0 B
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24-vocal-male-enhanced.m4a - 0 B
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24-vocal-male-flat.m4a - 0 B
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11-electric-guitar-flat.m4a - 0 B
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13-electric-guitar-less-piercing.m4a - 0 B
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5-bass-weaker-flat.m4a - 0 B
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2-bass-more-buzz.m4a - 0 B
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6-bass-weaker-corrected.m4a - 0 B
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1-bass-flat.m4a - 0 B
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3-less-buzz.m4a - 0 B
-
3-bass-less-buzz.m4a - 0 B
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4-bass-full-flat.m4a - 0 B
-
22-vocal-female-flat.m4a - 0 B
-
22-vocal-flat.m4a - 0 B
-
22-vocal-female-bigger.m4a - 0 B
-
15-hihat-eq.m4a - 0 B
-
16-hihat-eq-more.m4a - 0 B
-
14-hihat-flat.m4a - 0 B
-
17-kick-flat.m4a - 0 B
-
20-snare-flat.m4a - 0 B
-
21-snare-eq.m4a - 0 B
-
19-kick-eq.m4a - 0 B
-
18-kick-filter.m4a - 0 B
-
-
-
PDF
-
Module 04 - Equalization.pdf - 0 B
-
Module 04 Audio Examples Notes.pdf - 0 B
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Module 04 Practical Assignment Notes.pdf - 0 B
-
Module 04 Practical Assignment Project.pdf - 0 B
-
Module 04 Model Answers.pdf - 0 B
-
Module 04 Introduction.pdf - 0 B
-
Images for Practical Assignment Project
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eq-lf-1k 12dB.jpg - 0 B
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eq-lf-1k 6dB.jpg - 0 B
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eq-lf-1k-12dB.jpg - 0 B
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eq-lf-1k-6dB.jpg - 0 B
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filter-lp-1k-24dB.jpg - 0 B
-
filter-lp-1k-18dB.jpg - 0 B
-
filter-lp-1k-12dB.jpg - 0 B
-
filter-lp-1k-6dB.jpg - 0 B
-
-
-
dvd-cover-4.pdf - 0 B
-
-
Module 10 Mixing
-
The Clyde Meredith Microphone Test at Abbey Road Studio 2
-
the-clyde-meredith-microphone-test-at-abbey-road-studio-2-960.mp4 - 0 B
-
backing-track-whole-song-48.R.wav - 0 B
-
se-electronics-z5600a-whole-song-48.wav - 0 B
-
backing-track-whole-song-48.L.wav - 0 B
-
neumann-u47-48.wav - 0 B
-
b-and-k-4011-48.wav - 0 B
-
rode-nt1a-48.wav - 0 B
-
violet-design-amethyst-48.wav - 0 B
-
stc-4038-48.wav - 0 B
-
se-electronics-z5600a-48.wav - 0 B
-
adk-vienna-48.wav - 0 B
-
audio-technica-at4050-48.wav - 0 B
-
se-electronics-gemini-48.wav - 0 B
-
backing-track-48.L.wav - 0 B
-
backing-track-48.R.wav - 0 B
-
aea-a440-48.wav - 0 B
-
-
AUDIO
-
assignment
-
organ.m4a - 0 B
-
overheads.m4a - 0 B
-
gtr-effects.m4a - 0 B
-
vox-background.m4a - 0 B
-
All Or Nothing Mix 5.m4a - 0 B
-
All Or Nothing Mix 3.m4a - 0 B
-
All Or Nothing Mix 2.m4a - 0 B
-
All Or Nothing Mix 1.m4a - 0 B
-
All Or Nothing Mix 4.m4a - 0 B
-
All Or Nothing Mix 6.m4a - 0 B
-
All Or Nothing Producer Mix.m4a - 0 B
-
snare-electronic.m4a - 0 B
-
vox-lead-double.m4a - 0 B
-
gtr-1.m4a - 0 B
-
bass.m4a - 0 B
-
kick.m4a - 0 B
-
snare.m4a - 0 B
-
tom-low.m4a - 0 B
-
tom-high.m4a - 0 B
-
tom-mid.m4a - 0 B
-
drums-room.m4a - 0 B
-
gtr-2.m4a - 0 B
-
vox-lead.m4a - 0 B
-
gtr-3.m4a - 0 B
-
-
examples
-
kick-snare-esnare.m4a - 0 B
-
drums-bass-guitars-organ.m4a - 0 B
-
drums-bass-guitars.m4a - 0 B
-
drums-room-overheads.m4a - 0 B
-
kick-snare.m4a - 0 B
-
drums-overheads.m4a - 0 B
-
vocals-drums.m4a - 0 B
-
drums-room.m4a - 0 B
-
all-extract.m4a - 0 B
-
drums-bass.m4a - 0 B
-
kick.m4a - 0 B
-
kick-snare-esnare-toms.m4a - 0 B
-
room.m4a - 0 B
-
organ.m4a - 0 B
-
vocals-bass-guitars-organ.m4a - 0 B
-
background-vocals.m4a - 0 B
-
vocals.m4a - 0 B
-
bass.m4a - 0 B
-
vocal-double.m4a - 0 B
-
vocal.m4a - 0 B
-
guitars-bass.m4a - 0 B
-
overheads.m4a - 0 B
-
guitars.m4a - 0 B
-
two-guitars-reverb-left.m4a - 0 B
-
two-guitars-reverb.m4a - 0 B
-
two-guitars-EQ-boost.m4a - 0 B
-
two-guitars-reverb-right.m4a - 0 B
-
two-guitars-EQ-cut.m4a - 0 B
-
two-guitars-guitar-1-left.m4a - 0 B
-
two-guitars-EQ-complex.m4a - 0 B
-
two-guitars-panned.m4a - 0 B
-
two-guitars-mix.m4a - 0 B
-
two-guitars-confused.m4a - 0 B
-
two-guitars-guitar-2-right.m4a - 0 B
-
It-Would-Be-So-Easy-mix.m4a - 0 B
-
It-Would-Be-So-Easy-lv.m4a - 0 B
-
It-Would-Be-So-Easy-lvbv.m4a - 0 B
-
It-Would-Be-So-Easy-lvks.m4a - 0 B
-
It-Would-Be-So-Easy-lvksohrm.m4a - 0 B
-
drums-extract-it-would-be-so-easy.m4a - 0 B
-
-
-
PDF
-
Module 10 - Mixing.pdf - 0 B
-
Module 10 Audio Examples.pdf - 0 B
-
Module 10 Model Answers.pdf - 0 B
-
Module 10 Practical Assignment Notes.pdf - 0 B
-
Module 10 Introduction.pdf - 0 B
-
Module 10 Practical Assignment Project.pdf - 0 B
-
-
dvd-cover-10.pdf - 0 B
-
-
Module 05 Compression
-
The Joe Clancy Drum Recordings at Abbey Road Studio 3
-
joe-clancy-960.mp4 - 0 B
-
8-mic-tom-mid.wav - 0 B
-
8-mic-overhead.L.wav - 0 B
-
8-mic-tom-low.wav - 0 B
-
8-mic-tom-high.wav - 0 B
-
8-mic-snare.wav - 0 B
-
8-mic-kick.wav - 0 B
-
8-mic-overhead.R.wav - 0 B
-
8-mic-hihat.wav - 0 B
-
Glyn-Johns-left.wav - 0 B
-
Glyn-Johns-top.wav - 0 B
-
Glyn-Johns-snare.wav - 0 B
-
Glyn-Johns-kick.wav - 0 B
-
Recorderman.R.wav - 0 B
-
Recorderman.L.wav - 0 B
-
C414-front.wav - 0 B
-
u47-front.wav - 0 B
-
U47-top.wav - 0 B
-
joe-clancy-notes.pdf - 0 B
-
-
AUDIO
-
examples
-
41-mix-parallel-compression.m4a - 0 B
-
40-mix-compressed.m4a - 0 B
-
39-mix-uncompressed.m4a - 0 B
-
42-mix-leveller.m4a - 0 B
-
38-drums-parallel-compression.m4a - 0 B
-
37-drums-wet-leveller.m4a - 0 B
-
34-drums-dryish-compressed.m4a - 0 B
-
35-drums-wet-uncompressed.m4a - 0 B
-
36-drums-wet-compressed.m4a - 0 B
-
33-drums-dryish-uncompressed.m4a - 0 B
-
11-vocal-female-fairchild.m4a - 0 B
-
6-vocal-female-compressed-5.m4a - 0 B
-
9-vocal-female-compressed-8.m4a - 0 B
-
7-vocal-female-compressed-6.m4a - 0 B
-
1-vocal-female-uncompressed.m4a - 0 B
-
10-vocal-female-compressed-9.m4a - 0 B
-
2-vocal-female-compressed-1.m4a - 0 B
-
4-vocal-female-compressed-3.m4a - 0 B
-
3-vocal-female-compressed-2.m4a - 0 B
-
5-vocal-female-compressed-4.m4a - 0 B
-
8-vocal-female-compressed-7.m4a - 0 B
-
19-vocal-male-2-compressed.m4a - 0 B
-
20-vocal-male-2-meat-pie.m4a - 0 B
-
18-vocal-male-2-uncompressed.m4a - 0 B
-
13-vocal-male-compressed.m4a - 0 B
-
14-vocal-male-green.m4a - 0 B
-
12-vocal-male-uncompressed.m4a - 0 B
-
25-guitar-acoustic-default-settings.m4a - 0 B
-
26-guitar-acoustic-optimized.m4a - 0 B
-
24-guitar-acoustic-uncompressed.m4a - 0 B
-
22-bass-compressed.m4a - 0 B
-
28-guitar-electric-leveller.m4a - 0 B
-
27-guitar-electric-uncompressed.m4a - 0 B
-
28-guitar-electric-compressed.m4a - 0 B
-
21-bass-uncompressed.m4a - 0 B
-
30-kick-compressed.m4a - 0 B
-
32-kick-2-compressed.m4a - 0 B
-
31-kick-2-uncompressed.m4a - 0 B
-
29-kick-uncompressed.m4a - 0 B
-
16-vocal-female-2-compressed.m4a - 0 B
-
17-vocal-female-stellar-4.m4a - 0 B
-
15-vocal-female-2-uncompressed.m4a - 0 B
-
bass-1176.m4a - 0 B
-
bass-digirack-attack-short.m4a - 0 B
-
bass-uncompressed.m4a - 0 B
-
bass-digirack-attack-long.m4a - 0 B
-
vocal2-la2a.m4a - 0 B
-
vocal2-maxim.m4a - 0 B
-
vocal2-joemeek.m4a - 0 B
-
vocal2-fairchild.m4a - 0 B
-
vocal2-digirack.m4a - 0 B
-
vocal2-uncompressed.m4a - 0 B
-
acoustic-digirack-attack-short.m4a - 0 B
-
acoustic-fairchild.m4a - 0 B
-
acoustic-digirack-attack-long.m4a - 0 B
-
acoustic-uncompressed.m4a - 0 B
-
vocal-la2a.m4a - 0 B
-
vocal-1176.m4a - 0 B
-
vocal-fairchild.m4a - 0 B
-
vocal-digirack-ratio-high.m4a - 0 B
-
vocal-uncompressed.m4a - 0 B
-
vocal-digirack.m4a - 0 B
-
vocal-joemeek-sc2.m4a - 0 B
-
23-bass-compressed-first-note-fixed.m4a - 0 B
-
-
assignment
-
music.m4a - 0 B
-
drums.m4a - 0 B
-
vocal-female.m4a - 0 B
-
dynamic-range-control-compression-good.m4a - 0 B
-
dynamic-range-control-compression-bad.m4a - 0 B
-
dynamic-range-control-faders.m4a - 0 B
-
dynamic-range-too-much.m4a - 0 B
-
drums-compressed.m4a - 0 B
-
drums-uncompressed.m4a - 0 B
-
kick.m4a - 0 B
-
snare.m4a - 0 B
-
vocal-male.m4a - 0 B
-
music-compressed-bad.m4a - 0 B
-
music-compressed-good.m4a - 0 B
-
music-uncompressed.m4a - 0 B
-
snare-compressed.m4a - 0 B
-
kick-compressed.m4a - 0 B
-
snare-uncompressed.m4a - 0 B
-
kick-uncompressed.m4a - 0 B
-
female-vocal-compressed.m4a - 0 B
-
female-vocal-uncompressed.m4a - 0 B
-
-
-
PDF
-
Module 05 Audio Examples.pdf - 0 B
-
Module 05 - Compression.pdf - 0 B
-
Module 05 Practical Assignment Notes.pdf - 0 B
-
Module 05 Model Answers.pdf - 0 B
-
Module 05 Practical Assignment Project.pdf - 0 B
-
Module 05 Introduction.pdf - 0 B
-
-
dvd-cover-5.pdf - 0 B
-
-
Module 07 Effects and Plugins
-
Piano Recording Techniques
-
piano-recording-techniques-960.mp4 - 0 B
-
take-3-u87-stereo-48.wav - 0 B
-
take-2-coincident-stereo-48.wav - 0 B
-
take-2-30cm-stereo-48.wav - 0 B
-
take-2-1m-stereo-48.wav - 0 B
-
take-1-outside-medium-low-and-low-48.wav - 0 B
-
take-1-inside-stereo-48.wav - 0 B
-
take-1-inside-stereo-with-ambience-48.wav - 0 B
-
take-3-audience-high-height-48.wav - 0 B
-
take-3-ambience-right-48.wav - 0 B
-
take-3-ambience-left-48.wav - 0 B
-
take-3-audience-low-height-48.wav - 0 B
-
take-3-u87-left-48.wav - 0 B
-
take-3-u87-right-48.wav - 0 B
-
take-2-ambience-left-48.wav - 0 B
-
take-2-1m-left-48.wav - 0 B
-
take-2-1m-right-48.wav - 0 B
-
take-2-30cm-left-48.wav - 0 B
-
take-2-coincident-left-48.wav - 0 B
-
take-2-coincident-right-48.wav - 0 B
-
take-2-audience-high-height-48.wav - 0 B
-
take-2-audience-low-height-48.wav - 0 B
-
take-2-ambience-right-48.wav - 0 B
-
take-2-30cm-right-48.wav - 0 B
-
take-1-outside-low-48.wav - 0 B
-
take-1-outside-medium-high-48.wav - 0 B
-
take-1-outside-high-48.wav - 0 B
-
take-1-audience-low-height-48.wav - 0 B
-
take-1-inside-low-48.wav - 0 B
-
take-1-outside-medium-low-48.wav - 0 B
-
take-1-audience-high-height-48.wav - 0 B
-
take-1-inside-high-48.wav - 0 B
-
take-1-ambience-left-48.wav - 0 B
-
take-1-ambience-right-48.wav - 0 B
-
all-images-piano-recording-techniques
-
microphones-a-b-c-d-e-f-g-h.jpg - 0 B
-
microphones-k-l-m-n-o-p.jpg - 0 B
-
microphones-q-r.jpg - 0 B
-
microphones-g-h-i-j.jpg - 0 B
-
microphone-q-r.jpg - 0 B
-
microphones-c-d-e-f.jpg - 0 B
-
Setting Microphones
-
setting-microphones-8.jpg - 0 B
-
setting-microphones-2.jpg - 0 B
-
scratch-testing-1.jpg - 0 B
-
scratch-testing-3.jpg - 0 B
-
setting-microphones-6.jpg - 0 B
-
setting-microphones-3.jpg - 0 B
-
scratch-testing-6.jpg - 0 B
-
setting-microphones-4.jpg - 0 B
-
scratch-testing-8.jpg - 0 B
-
scratch-testing-4.jpg - 0 B
-
scratch-testing-5.jpg - 0 B
-
setting-microphones-1.jpg - 0 B
-
scratch-testing-7.jpg - 0 B
-
scratch-testing-9.jpg - 0 B
-
setting-microphones-5.jpg - 0 B
-
scratch-testing-10.jpg - 0 B
-
setting-microphones-7.jpg - 0 B
-
scratch-testing-2.jpg - 0 B
-
what-the-studio-mouse-saw.jpg - 0 B
-
-
-
notes-piano-recording-techniques.pdf - 0 B
-
-
PDF
-
Module 07 - Effects and Plug-Ins.pdf - 0 B
-
Module 07 Audio Examples.pdf - 0 B
-
Module 07 Model Answers.pdf - 0 B
-
Module 07 Practical Assignment Project.pdf - 0 B
-
Module 07 Practical Assignment Notes.pdf - 0 B
-
Module 07 Introduction.pdf - 0 B
-
-
AUDIO
-
examples
-
altiverb-guitar-cello.m4a - 0 B
-
altiverb-sampled-orchestra.m4a - 0 B
-
electroacoustic-flanging.m4a - 0 B
-
electroacoustic-pitch-change-9c-mix.m4a - 0 B
-
electroacoustic-filter.m4a - 0 B
-
electroacoustic-chorus.m4a - 0 B
-
electroacoustic-amp-farm.m4a - 0 B
-
electroacoustic-phasing.m4a - 0 B
-
electroacoustic-autopan.m4a - 0 B
-
electroacoustic-pitch 9-9.m4a - 0 B
-
altiverb-orchestral-position-positio.m4a - 0 B
-
altiverb-orchestral-position-dry.m4a - 0 B
-
altiverb-sports-commentary.m4a - 0 B
-
electroacoustic-dry.m4a - 0 B
-
vocal-d-verb-nonlin.m4a - 0 B
-
vocal-d-verb-ambient.m4a - 0 B
-
vocal-d-verb-room.m4a - 0 B
-
vocal-d-verb-plate.m4a - 0 B
-
vocal-d-verb-church.m4a - 0 B
-
vocal-d-verb-hall.m4a - 0 B
-
vocal-lexiverb-plate-rich.m4a - 0 B
-
vocal-lexiverb-echo-farm.m4a - 0 B
-
vocal-lexiverb-plate-vocal.m4a - 0 B
-
vocal-lexiverb-room-medium.m4a - 0 B
-
vocal-lexiverb-hall-vocal.m4a - 0 B
-
vocal-echo-farm-spin.m4a - 0 B
-
vocal-echo-farm-wet.m4a - 0 B
-
vocal-delay-200.m4a - 0 B
-
vocal-exciter.m4a - 0 B
-
vocal-delay-100.m4a - 0 B
-
vocal-dry.m4a - 0 B
-
altiverb-jazz-drums-chapel.m4a - 0 B
-
altiverb-jazz-drums-wisseloord.m4a - 0 B
-
altiverb-jazz-drums-study.m4a - 0 B
-
altiverb-jazz-drums-d-verb.m4a - 0 B
-
altiverb-jazz-drums-dry.m4a - 0 B
-
snare-lexiverb-plate-big-drum.m4a - 0 B
-
snare-d-verb-nonlin.m4a - 0 B
-
snare-dry.m4a - 0 B
-
snare-d-verb-hall.m4a - 0 B
-
snare-d-verb-church.m4a - 0 B
-
snare-d-verb-plate.m4a - 0 B
-
snare-d-verb-ambient.m4a - 0 B
-
snare-lexiverb-gate-snare.m4a - 0 B
-
snare-lexiverb-room-medium.m4a - 0 B
-
snare-lexiverb-hell-medium.m4a - 0 B
-
snare-lexiverb-church.m4a - 0 B
-
snare-lexiverb-plate-snare.m4a - 0 B
-
snare-d-verb-room.m4a - 0 B
-
altiverb-drums-altiverb-room-noise.m4a - 0 B
-
altiverb-drums-altiverb.m4a - 0 B
-
altiverb-drums-source.m4a - 0 B
-
altiverb-drums-live.m4a - 0 B
-
-
assignment
-
echo-chamber-stairwell-reverb.m4a - 0 B
-
echo-chamber-feedback-dry.m4a - 0 B
-
echo-chamber-feedback-mix.m4a - 0 B
-
echo-chamber-stairwell-mix.m4a - 0 B
-
echo-chamber-stairwell-dry.m4a - 0 B
-
echo-chamber-feedback-reverb.m4a - 0 B
-
echo-chamber-soft-mix.m4a - 0 B
-
echo-chamber-soft-dry.m4a - 0 B
-
echo-chamber-soft-reverb.m4a - 0 B
-
echo-chamber-hard-reverb.m4a - 0 B
-
echo-chamber-hard-dry.m4a - 0 B
-
echo-chamber-hard-mix.m4a - 0 B
-
-
-
dvd-cover-7.pdf - 0 B
-
-
Module 06 Recording Software
-
Microphone Polar Patterns and Stereo Configurations
-
crossed-figure-of-eight.wav - 0 B
-
spaced-cardioids.wav - 0 B
-
crossed-pair-cardioids.wav - 0 B
-
ortf-cardioids.wav - 0 B
-
video-stereo-configurations-960
-
Crossed cardioids overview 960.mp4 - 0 B
-
Crossed figure-of-8 960.mp4 - 0 B
-
Spaced cardioids 960.mp4 - 0 B
-
ORTF 960.mp4 - 0 B
-
Crossed cardioids 960.mp4 - 0 B
-
The Fly 960.mp4 - 0 B
-
.DS_Store - 0 B
-
-
video-polar-patterns-960
-
Omnidirectional 960.mp4 - 0 B
-
Figure-of-8 960.mp4 - 0 B
-
Cardioid 960.mp4 - 0 B
-
Supercardioid 960.mp4 - 0 B
-
-
notes.pdf - 0 B
-
phasing-large.jpg - 0 B
-
-
PDF
-
Module 06 - Recording Software.pdf - 0 B
-
Module 06 Audio Examples.pdf - 0 B
-
Module 06 Practical Assignment Notes.pdf - 0 B
-
Module 06 Model Answers.pdf - 0 B
-
Module 06 Introduction.pdf - 0 B
-
Module 06 Practical Assignment Project.pdf - 0 B
-
-
AUDIO
-
examples
-
automation.m4a - 0 B
-
automation-none.m4a - 0 B
-
crossfade-entire-track.m4a - 0 B
-
lengthen-track-longer.m4a - 0 B
-
looping.m4a - 0 B
-
lengthen-track-original.m4a - 0 B
-
looping-none.m4a - 0 B
-
edit-2-bad.m4a - 0 B
-
edit-2-better.m4a - 0 B
-
edit-2-good.m4a - 0 B
-
drums-even.m4a - 0 B
-
crossfade.m4a - 0 B
-
crossfade-none.m4a - 0 B
-
edit-slack.m4a - 0 B
-
edit-less-slack.m4a - 0 B
-
edit-tight.m4a - 0 B
-
fade-none.m4a - 0 B
-
fade-equal-gain.m4a - 0 B
-
fade-equal-power.m4a - 0 B
-
fade-s-curve.m4a - 0 B
-
drums-uneven.m4a - 0 B
-
end-reverb.m4a - 0 B
-
end-fade.m4a - 0 B
-
end-abrupt.m4a - 0 B
-
-
assignment
-
kick-snare-hihat-2.m4a - 0 B
-
kick-snare-hihat-3.m4a - 0 B
-
kick-snare-hihat-1.m4a - 0 B
-
kick-snare-1.m4a - 0 B
-
kick-different-hits.m4a - 0 B
-
kick-identical-hits.m4a - 0 B
-
drum-editing
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Module 08 Synthesis and Sampling
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Acoustic Guitar Recording Techniques
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AUDIO
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assignment
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cs.m4a - 0 B
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PDF
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Module 08 Introduction.pdf - 0 B
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-
dvd-cover-8.pdf - 0 B
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Module 03 Microphone Preamplifiers
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Four Exotic Microphones on Acoustic Guitar
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AUDIO
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assignment
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ua-u87.m4a - 0 B
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-
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dvd-cover-3.pdf - 0 B
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QuickTime
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Keygen.exe - 0 B
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Module 09 Recording Techniques
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Electric Guitar Recording Techniques
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AUDIO
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assignment
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drums-snare-top-it-would-be-so-easy.m4a - 0 B
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-
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PDF
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Module 09 - Recording Techniques.pdf - 0 B
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Module 09 Model Answers.pdf - 0 B
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Module 09 Audio Examples.pdf - 0 B
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Module 09 Practical Assignment Notes.pdf - 0 B
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Module 09 Practical Assignment Project.pdf - 0 B
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Module 09 Introduction.pdf - 0 B
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dvd-cover-9.pdf - 0 B
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AAC.pdf - 0 B
-
Music Production and Sound Engineering Course Introduction.pdf - 0 B
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iNFO.txt - 0 B
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Torrent downloaded from Demonoid.me.txt - 0 B
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tracked_by_h33t_com.txt - 0 B
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| Trackers | Seeders | Leechers | Downloads |
|---|---|---|---|
| udp://tracker.opentrackr.org:1337/announce | 0 | 0 | 0 |
| udp://ipv4.tracker.harry.lu:80/announce | 0 | 0 | 0 |
| udp://tracker.moeking.me:6969/announce | 0 | 0 | 0 |
| udp://tracker.openbittorrent.com:80/announce | 1 | 0 | 9 |
| udp://tracker.torrent.eu.org:451/announce | 0 | 0 | 0 |
| udp://open.stealth.si:80/announce | 0 | 0 | 0 |
| udp://tracker4.itzmx.com:2710/announce | 0 | 0 | 0 |
| udp://retracker.lanta-net.ru:2710/announce | 0 | 0 | 0 |
| udp://tracker.tiny-vps.com:6969/announce | 0 | 0 | 0 |
| udp://exodus.desync.com:6969/announce | 0 | 1 | 0 |
| udp://explodie.org:6969/announce | 0 | 0 | 0 |
InfoHash:
760BA97B01DE815102C16DE89F2291227CB88A68
Last updated:
Jan 24, 2022
File count:
1.14 KB
File Category:
9
Tags:
Other, Tutorials